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| Emma |
Jane Austen (16 December 1775 – 18 July 1817)
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| Wish she could celebrate her 95th birthday, today. I do. |
Edna O'Brien (15 December 1930 – 27 July 2024)
“History is said to be written by the victors. Fiction, by contrast, is largely the work of injured bystanders.”
Books everywhere. On the shelves and on the small space above the rows of books and all along the floor and under chairs, books that I have read, books that I have not read.
What matters is the imaginative truth.
Ordinary life bypassed me, but I also bypassed it. It couldn't have been any other way. Conventional life and conventional people are not for me.
Love . . . is like nature, but in reverse; first it fruits, then it flowers, then it seems to wither, then it goes deep, deep down into its burrow, where no one sees it, where it is lost from sight, and ultimately people die with that secret buried inside their souls.
We hide the truer part of ourselves when we love.
I always want to be in love, always. It’s like being a tuning fork.
Of islands I know |
Ich erkläre das grundlegende Übel der Welt damit,
dass der liebe Gott zu wenig Geld geschaffen hat.
* * *
The fundamental evil of the world arose from the fact
that the good Lord has not created money enough.
Heinrich Heine (13 December 1797 – 17 February 1856)
In autumn 1986 he gave me about an hour of his life. We talked about
Auschwitz and love, about language and absolution, about Chaplin and
apartheid, about poetry, Picasso and power, about resistance and
reconciliation, about . . .
At one point he said: Shshsh, and now let's five minutes talk without words.
Magic?
Eyes talking.
No ears needed.
Silence.
Thoughts flowing, waving.
Question and answer dancing.
Dreams.
Understanding?
Yes.
It is possible.
Magic!
May the one and the other think I am (too) sentimental:
Afterwards I felt these had been very special moments in my life. I had met a wonderful wise human being.
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| Pedro Páramo |
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"What am I proud of in retrospect on that February 29, 1932? Certainly not the portraits of the so-called high society, the decadent elite in many respects. That's how I earned my living. No, I'm proud of a few paintings that hold a mirror up to my contemporaries. ... Although pride is the wrong word. Take 'Garrote vil'. Just sketching the gawkers on the balconies, who had paid a fortune for their box seats, sometimes made me want to burst with rage and tear the canvas to shreds. But then I thought that this testament to human perversity might one day make a small contribution to the abolition of the death penalty. ... I only fear that future generations will come up with even more hideous cruelties. Perhaps something more subtle. Someone will call it 'The Banality of Evil'."
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| «Garrote vil» (Ramon Casas - 1894) |
"Well, how was it, Joanita?"
Joan took the garrote from his wife, helped her out of the executioner's garb, and looked at her tenderly.
"Terrible it was. You know how perfectly I wield the garrote. But again they demanded that I prolong the spectacle."
"And? Did you make the poor fellow suffer unnecessarily longer?"
"When I hesitated, the mayor said, 'There are dozens down there who would love to do your job.' So what should I do? You, me, the children: we all want to eat."
"Poor darling. But imagine this. I've heard that the mayor is going on trial soon. And you know what the punishment for blasphemy is?"
A smile flickered across Joanita's lips. "If that's true, this execution will go down in history as the longest ever. And afterwards I shall quit."
"But ..."
"Don't worry, darling. Top prices will be offered for his fat. We'll be able to send our children to school so they once can have a better life."